
Broken World
Poetry by Joseph Lease
April 1, 2007 ⢠6 x 9 ⢠70 pages ⢠978-1-56689-198-1
With musical grace critics have likened to that of Robert Creeley, Elizabeth Bishop, and William Carlos Williams, Joseph Lease mixes a storytellerās rhythm with lyric beauty to create a collection filled with humor, political bite, and psychological intensity. In a country where āmoney has won everywhere,ā but the essential promise of democracy still beckons, these poems uncover our troubled psyches and show us what it might mean to be āFree Again.ā
About the Author
Joseph Lease is the author ofĀ four critically acclaimed books of poetry: Testify,Ā Broken World, Human Rights, and The Room. His poems have also been featured on NPR and published in Bay Poetics, The AGNI 30th Anniversary Poetry Anthology, VQR, The Paris Review, and elsewhere. Leaseās poem āāBroken Worldā (For James Assatly)ā appeared in The Best American Poetry, edited by Robert Creeley and David Lehman.Ā
Reviews
Ā
āFew poets these days are publishing verse this musically alive.ā āThe Boston Phoenix
āAs a document of suffering and redemptive love,Ā Broken WorldĀ belongs in a long line of modernist texts, Zukofskyās āA,ā CraneāsĀ White Buildings, ReznikoffāsĀ Testimony. The long sequence āFree Againā has already made itself an essential event, thrillingly anthemic. The release ofĀ Broken WorldĀ is one of the signal events in recent poetic history.ā āKevin Killian
āExuberant, deft, gorgeously alive, and immensely complicated, these poems recognize our human freedoms and failures in fresh and important ways. Our new Whitman, Joseph Lease is interested both in our human rights and the question of what it is to be American, and he is searingly accurate about all that word now means.Ā Broken WorldĀ is intensely smart, exquisitely vulnerable, and completely original.ā āLaura Mullen
āThe poems in Joseph LeaseāsĀ Broken WorldĀ are as cool as they are passionate, as soft-spoken as they are indignant, and as fiercely Romantic as they are formally contained. Whether writing an elegy for a friend who died of AIDS or playing complex variations on RilkeāsĀ Duino ElegiesĀ (āIf I cried out, / Who among the angelic orders would / Slap my face, who would steal my / Lunch moneyā), Lease has complete command of his poetic materials. His poems are spellbinding in their terse and ironic authority: Yes, the reader feels when s/he has finished, this is how it wasāand how it is. An exquisite collection!ā āMarjorie Perloff
āOur poems, like ourselves, have become obsessed with securityāand it is a backward obsession, a rage to keep the meanings out, to guard against the miraculous mishap of reading. How wonderful, then, to find myself in LeaseāsĀ Broken World. Here, the doors have swung wide open; the white space welcomes wildness and hap. And best of all, the cadences, which are the rapt cadences of real awe, show that silence is not fearsome but a Friend. These poems are a new way of life.ā āDonald Revell
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Description
Poetry by Joseph Lease
April 1, 2007 ⢠6 x 9 ⢠70 pages ⢠978-1-56689-198-1
With musical grace critics have likened to that of Robert Creeley, Elizabeth Bishop, and William Carlos Williams, Joseph Lease mixes a storytellerās rhythm with lyric beauty to create a collection filled with humor, political bite, and psychological intensity. In a country where āmoney has won everywhere,ā but the essential promise of democracy still beckons, these poems uncover our troubled psyches and show us what it might mean to be āFree Again.ā
About the Author
Joseph Lease is the author ofĀ four critically acclaimed books of poetry: Testify,Ā Broken World, Human Rights, and The Room. His poems have also been featured on NPR and published in Bay Poetics, The AGNI 30th Anniversary Poetry Anthology, VQR, The Paris Review, and elsewhere. Leaseās poem āāBroken Worldā (For James Assatly)ā appeared in The Best American Poetry, edited by Robert Creeley and David Lehman.Ā
Reviews
Ā
āFew poets these days are publishing verse this musically alive.ā āThe Boston Phoenix
āAs a document of suffering and redemptive love,Ā Broken WorldĀ belongs in a long line of modernist texts, Zukofskyās āA,ā CraneāsĀ White Buildings, ReznikoffāsĀ Testimony. The long sequence āFree Againā has already made itself an essential event, thrillingly anthemic. The release ofĀ Broken WorldĀ is one of the signal events in recent poetic history.ā āKevin Killian
āExuberant, deft, gorgeously alive, and immensely complicated, these poems recognize our human freedoms and failures in fresh and important ways. Our new Whitman, Joseph Lease is interested both in our human rights and the question of what it is to be American, and he is searingly accurate about all that word now means.Ā Broken WorldĀ is intensely smart, exquisitely vulnerable, and completely original.ā āLaura Mullen
āThe poems in Joseph LeaseāsĀ Broken WorldĀ are as cool as they are passionate, as soft-spoken as they are indignant, and as fiercely Romantic as they are formally contained. Whether writing an elegy for a friend who died of AIDS or playing complex variations on RilkeāsĀ Duino ElegiesĀ (āIf I cried out, / Who among the angelic orders would / Slap my face, who would steal my / Lunch moneyā), Lease has complete command of his poetic materials. His poems are spellbinding in their terse and ironic authority: Yes, the reader feels when s/he has finished, this is how it wasāand how it is. An exquisite collection!ā āMarjorie Perloff
āOur poems, like ourselves, have become obsessed with securityāand it is a backward obsession, a rage to keep the meanings out, to guard against the miraculous mishap of reading. How wonderful, then, to find myself in LeaseāsĀ Broken World. Here, the doors have swung wide open; the white space welcomes wildness and hap. And best of all, the cadences, which are the rapt cadences of real awe, show that silence is not fearsome but a Friend. These poems are a new way of life.ā āDonald Revell











