
Click and Clone
Poetry by Elaine Equi
March 15, 2011 ⢠6 x 9 ⢠136 pages ⢠978-1-56689-257-5
An innovative, whimsical exploration of the effects of technology on everyday life.
Click and Clone explores the tone and timbre of American life as it has been colored by the new metaphors and images brought to us by our continuing technological revolution. Equi is interested in a new form of realismāone that acknowledges the fact that what we think of as normal and everyday is now permeated with the fantastic. These poems draw on the conventions of science fiction and surrealism. Clones, lucid dreaming, and a tarot deck constructed from old movie stills are just a few of the marvelously routine occurrences in this maze of interlocking worlds and poems. Whether she is writing about art, pop culture, consumerism, or reality TV, Equi does so with clarity and wit. As inventive as she is agile, this author is a true original.
About the Author
Elaine Equi, author of Click and Clone, was born in Oak Park, Illinois, and raised in Chicago and its outlying suburbs. In 1988, she moved to New York City with her husband poet Jerome Sala. Over the years, her witty, aphoristic, and innovative work has become nationally and internationally known. Her last book, Ripple Effect: New & Selected Poems, was a finalist for the Los Angeles Times Book Prize and on the short list for Canadaās prestigious Griffin Poetry Prize.
Among her other titles are Surface Tension, Decoy, Voice-Over, which won the San Francisco State University Poetry Center Award, and The Cloud of Knowable Things. Widely published and anthologized, her work has appeared in the New Yorker, Poetry,Ā the American Poetry Review,Ā the Nation, and numerous volumes of the Best American Poetry. She teaches at New York University, and in the MFA Programs at the New School and the City College of New York.
Thanks to a 2013 ADA Access Improvement Grant administered by VSA Minnesota for the Metropolitan Regional Arts Council, this title is also formatted for screen readers which make text accessible to the blind and visually impaired. To purchase this title for use with a screen reader please call (612) 338-0125 or email us at [email protected].
Reviews
Ā
āWhether celebrating clones or revising Led Zeppelin (āThat stairway only leads half-way to heavenā), Equi melds verse with aphorism, wisdom with wicked playfulness.āĀ āEntertainment Weekly
āElaine Equiās Click and Clone is poetry for the 21st century. . . . Her incisive wit and elegant nod at contemporary technology combine to create a poetry that is not only flamboyant but essential.āĀ āThe Journal (West Virginia)
āThinking and dreaming join forces in Elaine Equiās poems, to create a voice that merges sharp intelligence with an artfully mined subconscious. Each poem produces a rush, a pleasurable detonation, a whoosh in the head, analogous to all the windows in a skyscraper being thrown or blown open.ā āDrunken Boat
āElaine Equi is one who wonāt stay āinside the line . . . or outside the line. // I am the line itself,ā she proclaims in the lead poem āFollow Me.ā In an age of instant and infinite communication marked by blips, beeps, and tweets, she continues to streamline her unique vision. . . . This troubling topic, seemingly alien to a poetic sensibility, is indicative of Equiās reach into the future. She also keeps the past magically alive.āĀ āBrooklyn Rail
āEquiās newest collection is punchy and fast paced; saturated with an urban tang (āYou Know the Type // A NY guy / in an NY hat / walking an NY dogā). Modern yet staunchly accessible in their quirkiness, her poems feel alive. āNowhere is there a poet / who sings the sanitized decadence of our times,ā Equi writes, though one could argue that her collection comes as close as possible.ā āPublishers Weekly
āEquiās name-dropping of fellow poets and friends, her use of various formsāfrom dialogue script to sonnet to one-line aphoristic phraseāgives this collection an energetic charm.ā āAmerican Poet
āElaine Equi is not a poetās poet and not a peopleās poet, and yet she is both. Her poetry is wry and sparse. Often less than a page, her poems read something like eloquent one-liners that along with laughter effortlessly provoke profundity: a little Wang Wei, a little Frank OāHara, a little Nicanor Parra, but mostly, just a little.ā āGuernica
āElaine Equi seems to know all our foibles and, instead of edging toward the door, reports the latest developments with precise, loving equanimity. Her voice is unique: poised, witty, intimate, and somehow interstellar. Itās as if sheās visiting from a future where we all appear transparent. Click and Clone is an electrified pleasure field.ā āAram Saroyan
āSpick and span, cut and dry, shake and bake, and now Elaine Equi introduces Click and Clone. These poetically altered texts punch holes into the multiverses of pop and splendor, short and longing, prose and dreams. Equi says that art can no longer imitate life, it just needs to keep up. As they might say at the racetrack, she leads by a verse.ā āCharles Bernstein
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Description
Poetry by Elaine Equi
March 15, 2011 ⢠6 x 9 ⢠136 pages ⢠978-1-56689-257-5
An innovative, whimsical exploration of the effects of technology on everyday life.
Click and Clone explores the tone and timbre of American life as it has been colored by the new metaphors and images brought to us by our continuing technological revolution. Equi is interested in a new form of realismāone that acknowledges the fact that what we think of as normal and everyday is now permeated with the fantastic. These poems draw on the conventions of science fiction and surrealism. Clones, lucid dreaming, and a tarot deck constructed from old movie stills are just a few of the marvelously routine occurrences in this maze of interlocking worlds and poems. Whether she is writing about art, pop culture, consumerism, or reality TV, Equi does so with clarity and wit. As inventive as she is agile, this author is a true original.
About the Author
Elaine Equi, author of Click and Clone, was born in Oak Park, Illinois, and raised in Chicago and its outlying suburbs. In 1988, she moved to New York City with her husband poet Jerome Sala. Over the years, her witty, aphoristic, and innovative work has become nationally and internationally known. Her last book, Ripple Effect: New & Selected Poems, was a finalist for the Los Angeles Times Book Prize and on the short list for Canadaās prestigious Griffin Poetry Prize.
Among her other titles are Surface Tension, Decoy, Voice-Over, which won the San Francisco State University Poetry Center Award, and The Cloud of Knowable Things. Widely published and anthologized, her work has appeared in the New Yorker, Poetry,Ā the American Poetry Review,Ā the Nation, and numerous volumes of the Best American Poetry. She teaches at New York University, and in the MFA Programs at the New School and the City College of New York.
Thanks to a 2013 ADA Access Improvement Grant administered by VSA Minnesota for the Metropolitan Regional Arts Council, this title is also formatted for screen readers which make text accessible to the blind and visually impaired. To purchase this title for use with a screen reader please call (612) 338-0125 or email us at [email protected].
Reviews
Ā
āWhether celebrating clones or revising Led Zeppelin (āThat stairway only leads half-way to heavenā), Equi melds verse with aphorism, wisdom with wicked playfulness.āĀ āEntertainment Weekly
āElaine Equiās Click and Clone is poetry for the 21st century. . . . Her incisive wit and elegant nod at contemporary technology combine to create a poetry that is not only flamboyant but essential.āĀ āThe Journal (West Virginia)
āThinking and dreaming join forces in Elaine Equiās poems, to create a voice that merges sharp intelligence with an artfully mined subconscious. Each poem produces a rush, a pleasurable detonation, a whoosh in the head, analogous to all the windows in a skyscraper being thrown or blown open.ā āDrunken Boat
āElaine Equi is one who wonāt stay āinside the line . . . or outside the line. // I am the line itself,ā she proclaims in the lead poem āFollow Me.ā In an age of instant and infinite communication marked by blips, beeps, and tweets, she continues to streamline her unique vision. . . . This troubling topic, seemingly alien to a poetic sensibility, is indicative of Equiās reach into the future. She also keeps the past magically alive.āĀ āBrooklyn Rail
āEquiās newest collection is punchy and fast paced; saturated with an urban tang (āYou Know the Type // A NY guy / in an NY hat / walking an NY dogā). Modern yet staunchly accessible in their quirkiness, her poems feel alive. āNowhere is there a poet / who sings the sanitized decadence of our times,ā Equi writes, though one could argue that her collection comes as close as possible.ā āPublishers Weekly
āEquiās name-dropping of fellow poets and friends, her use of various formsāfrom dialogue script to sonnet to one-line aphoristic phraseāgives this collection an energetic charm.ā āAmerican Poet
āElaine Equi is not a poetās poet and not a peopleās poet, and yet she is both. Her poetry is wry and sparse. Often less than a page, her poems read something like eloquent one-liners that along with laughter effortlessly provoke profundity: a little Wang Wei, a little Frank OāHara, a little Nicanor Parra, but mostly, just a little.ā āGuernica
āElaine Equi seems to know all our foibles and, instead of edging toward the door, reports the latest developments with precise, loving equanimity. Her voice is unique: poised, witty, intimate, and somehow interstellar. Itās as if sheās visiting from a future where we all appear transparent. Click and Clone is an electrified pleasure field.ā āAram Saroyan
āSpick and span, cut and dry, shake and bake, and now Elaine Equi introduces Click and Clone. These poetically altered texts punch holes into the multiverses of pop and splendor, short and longing, prose and dreams. Equi says that art can no longer imitate life, it just needs to keep up. As they might say at the racetrack, she leads by a verse.ā āCharles Bernstein











