
How We Speak to One Another
Essays edited by Ander Monson and Craig Reinbold
March 14, 2017 ⢠6 x 9 ⢠275 Pages ⢠978-1-56689-457-9
The best of Essay Dailyâeach a writer in conversation with and about an essay, whatever its variety, contemporary and classic.
How We Speak to One Another is some of the most engaging evidence weâve got that the essay is going strong. Here, essayists talk back to each other, to the work they love and the work that disquiets them, and to the very basic building blocks of what we understand âessayâ to be. Whatâs compiled in these pages testifies to the endless flexibility, generosity, curiosity, and audacity of essays. Even more than that, it provides the kind of pleasure any great essay collection doesâupsetting our ideas and challenging the way we organize our sense of the world.
About the Author
Ander Monson is the author, most recently, of Letter to a Future Lover: Marginalia, Errata, Secrets, Inscriptions, and Other Ephemera Found in Libraries (Graywolf Press). He is also the author of Vanishing Point, a finalist for the National Book Critics Circle Award, and Neck Deep and Other Predicaments. He edits DIAGRAM and the New Michigan Press. Monson lives in Tucson and teaches in the MFA program at the University of Arizona.
Craig Reinboldâs writing has appeared in many journals and magazines including the Gettysburg Review, Iowa Review, New England Review, Guernica, Gulf Coast, and Brevity. He was the managing editor of Essay Daily from 2013 â 2016.
Contributors include:
Ander Monson â˘Â Marcia Aldrich ⢠Kristen Radtke â˘Â Robin Hemley â˘Â Robert Atwan â˘Â Matt Dube â˘Â Aisha Sabatini Sloan â˘Â T. Clutch Fleischmann â˘Â Rigoberto GonzĂĄlez â˘Â Kati Standefer â˘Â Julie Lauterbach-Colby â˘Â CĂŠsar Diaz â˘Â Emily Deprang â˘Â Lucas Mann â˘Â Danica Novgorodoff â˘Â Bonnie J. Rough â˘Â Peter Grandbois â˘Â Albert Goldbarth â˘Â Alison Hawthorne Deming â˘Â Steven Church â˘Â Bethany Maile â˘Â David Legault â˘Â Joni Tevis â˘Â John DâAgata â˘Â Meehan Crist â˘Â Thomas Mira Y Lopez â˘Â Danielle Deulen â˘Â John T. Price â˘Â Maya L. Kapoor â˘Â Chelsea Biondolillo â˘Â Megan Kimble â˘Â Brian Doyle â˘Â Nicole Walkder â˘Â Paul Lisicky â˘Â Brian Oliu â˘Â Pam Houston â˘Â Dave Mondy â˘Â Phillip Lopate â˘Â Amy Benson â˘Â Patrick Madden â˘Â Elena Passarello â˘Â Erin Zwiener â˘Â Patricia Vigderman â˘Â Ryan Van Meter
Thanks to a 2013 ADA Access Improvement Grant administered by VSA Minnesota for the Metropolitan Regional Arts Council, this title is also formatted for screen readers which make text accessible to the blind and visually impaired. To purchase this title for use with a screen reader please call (612) 338-0125 or email us at [email protected].
Reviews
Â
Winner of the New Mexico-Arizona Book Award in Anthology
âLess a practical guide than an anthology of think pieces, How We Speak to One Another will nonetheless send nonfiction writers eagerly back to their desks. And itâs a fun read, even for nonwriters.â âPublishers Weekly
âThis book clearly demonstrates the essay is alive and well, kicking and evolving, grappling with its place in literature.â âKirkus
âHow We Speak wins its argument that the essay is worthy of extended contemplation.â âBooklist
âThis collection confirms what Ander Monson suggests in the introduction: each essay is one in a network of intersecting tunnels, forming a landscape of ideas and experiences about what it means to be human.â âCleaver
âTo read the collected essays here is to feel invited to a salon.â âSignature
âIn veering from one [essay] to another the book, as a whole, finds its energy. The heart of these essays lies in the revelation of a preoccupation of the author through their examination of anotherâs text.â âPuerto Del Sol
âThese writers look at the essay forty-seven ways through both words and images, following thoughts wherever they may lead. And there, Monson notes, âsometimes something interesting happens.â In How We Speak to One Another, many interesting thoughts definitely do happen.â âWoven Tale Press
âWith their shared literacies, prosaic disguises, madcap readings, and possible plagiarisms, the essays in [How We Speak to One Another] form a beguiling echo chamber.â âBrazos
âEssays react, essays entertain, essays establish, essays contradict, and essays begetâillustrations, discussions, illuminations, and of course more essays. This big collection of (of course) small or manageably sized essays about great essays offers beautiful comics and reminiscences, fake interviews and real fencing, along with approachable, step-by-step, classroom- and subway-car-friendly lit crit. And it does not just try (or âessayâ) to do things youâll remember, things youâll appreciate (from introducing Samuel R. Delany to helping you write past trauma), it succeeds.â âSteph Burt
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Description
Essays edited by Ander Monson and Craig Reinbold
March 14, 2017 ⢠6 x 9 ⢠275 Pages ⢠978-1-56689-457-9
The best of Essay Dailyâeach a writer in conversation with and about an essay, whatever its variety, contemporary and classic.
How We Speak to One Another is some of the most engaging evidence weâve got that the essay is going strong. Here, essayists talk back to each other, to the work they love and the work that disquiets them, and to the very basic building blocks of what we understand âessayâ to be. Whatâs compiled in these pages testifies to the endless flexibility, generosity, curiosity, and audacity of essays. Even more than that, it provides the kind of pleasure any great essay collection doesâupsetting our ideas and challenging the way we organize our sense of the world.
About the Author
Ander Monson is the author, most recently, of Letter to a Future Lover: Marginalia, Errata, Secrets, Inscriptions, and Other Ephemera Found in Libraries (Graywolf Press). He is also the author of Vanishing Point, a finalist for the National Book Critics Circle Award, and Neck Deep and Other Predicaments. He edits DIAGRAM and the New Michigan Press. Monson lives in Tucson and teaches in the MFA program at the University of Arizona.
Craig Reinboldâs writing has appeared in many journals and magazines including the Gettysburg Review, Iowa Review, New England Review, Guernica, Gulf Coast, and Brevity. He was the managing editor of Essay Daily from 2013 â 2016.
Contributors include:
Ander Monson â˘Â Marcia Aldrich ⢠Kristen Radtke â˘Â Robin Hemley â˘Â Robert Atwan â˘Â Matt Dube â˘Â Aisha Sabatini Sloan â˘Â T. Clutch Fleischmann â˘Â Rigoberto GonzĂĄlez â˘Â Kati Standefer â˘Â Julie Lauterbach-Colby â˘Â CĂŠsar Diaz â˘Â Emily Deprang â˘Â Lucas Mann â˘Â Danica Novgorodoff â˘Â Bonnie J. Rough â˘Â Peter Grandbois â˘Â Albert Goldbarth â˘Â Alison Hawthorne Deming â˘Â Steven Church â˘Â Bethany Maile â˘Â David Legault â˘Â Joni Tevis â˘Â John DâAgata â˘Â Meehan Crist â˘Â Thomas Mira Y Lopez â˘Â Danielle Deulen â˘Â John T. Price â˘Â Maya L. Kapoor â˘Â Chelsea Biondolillo â˘Â Megan Kimble â˘Â Brian Doyle â˘Â Nicole Walkder â˘Â Paul Lisicky â˘Â Brian Oliu â˘Â Pam Houston â˘Â Dave Mondy â˘Â Phillip Lopate â˘Â Amy Benson â˘Â Patrick Madden â˘Â Elena Passarello â˘Â Erin Zwiener â˘Â Patricia Vigderman â˘Â Ryan Van Meter
Thanks to a 2013 ADA Access Improvement Grant administered by VSA Minnesota for the Metropolitan Regional Arts Council, this title is also formatted for screen readers which make text accessible to the blind and visually impaired. To purchase this title for use with a screen reader please call (612) 338-0125 or email us at [email protected].
Reviews
Â
Winner of the New Mexico-Arizona Book Award in Anthology
âLess a practical guide than an anthology of think pieces, How We Speak to One Another will nonetheless send nonfiction writers eagerly back to their desks. And itâs a fun read, even for nonwriters.â âPublishers Weekly
âThis book clearly demonstrates the essay is alive and well, kicking and evolving, grappling with its place in literature.â âKirkus
âHow We Speak wins its argument that the essay is worthy of extended contemplation.â âBooklist
âThis collection confirms what Ander Monson suggests in the introduction: each essay is one in a network of intersecting tunnels, forming a landscape of ideas and experiences about what it means to be human.â âCleaver
âTo read the collected essays here is to feel invited to a salon.â âSignature
âIn veering from one [essay] to another the book, as a whole, finds its energy. The heart of these essays lies in the revelation of a preoccupation of the author through their examination of anotherâs text.â âPuerto Del Sol
âThese writers look at the essay forty-seven ways through both words and images, following thoughts wherever they may lead. And there, Monson notes, âsometimes something interesting happens.â In How We Speak to One Another, many interesting thoughts definitely do happen.â âWoven Tale Press
âWith their shared literacies, prosaic disguises, madcap readings, and possible plagiarisms, the essays in [How We Speak to One Another] form a beguiling echo chamber.â âBrazos
âEssays react, essays entertain, essays establish, essays contradict, and essays begetâillustrations, discussions, illuminations, and of course more essays. This big collection of (of course) small or manageably sized essays about great essays offers beautiful comics and reminiscences, fake interviews and real fencing, along with approachable, step-by-step, classroom- and subway-car-friendly lit crit. And it does not just try (or âessayâ) to do things youâll remember, things youâll appreciate (from introducing Samuel R. Delany to helping you write past trauma), it succeeds.â âSteph Burt











