
In the Builded Place
Poetry by Michael Heller
November 1, 1989 ⢠6 x 9 ⢠96 pages ⢠978-0-918273-58-1
āMichael Hellerās poetry is the song of metaphysical narrative. In his work the speculative ambiguities of epistemology modulate productively with faceted concretions of felt life. The generous and powerful energies in these poems track the potential transformations inhering in āflimsy beatitudes of order,ā (from the title poem) whose possibilities haunt and illuminate the entire book.ā āArmand Schwerner
Reviews
Ā
āThere is a classic largeness to these poems, whether of means or of referenceāa consummately civilzed response to our time that makes the intimate and the physical still primary despite the generalizing chaos Heller confronts so movingly.ā āRobert Creeley
āTone perfect poemsāthe tone, the scale, note by note, interval by intervalāattack on the āgods of ennui and loneliness.āā āGeorge Oppen
āMichael Hellerās poetry is the song of metaphysical narrative. In his work the speculative ambiguities of epistemology modulate productively with faceted concretions of felt life. The generous and powerful energies in these poems track the potential transformations inhering in āflimsy beatitudes of order,ā (from the title poem) whose possibilities haunt and illuminate the entire book.ā āArmand Schwerner
āMichael Heller brings an inspiring and lovely clarity to these poems whose practice ranges between the poles of rigorous philosophical articulation and sensuous physical image. But no matter their method, this work reveals a poet who is always grappling with artās ultimate problem: the ordering of the chaotic world to its latent human orders. A problem Heller often dramatically and movingly solves, at least for the moment, in the luminous spaces of these pages.ā āHugh Seidman
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Description
Poetry by Michael Heller
November 1, 1989 ⢠6 x 9 ⢠96 pages ⢠978-0-918273-58-1
āMichael Hellerās poetry is the song of metaphysical narrative. In his work the speculative ambiguities of epistemology modulate productively with faceted concretions of felt life. The generous and powerful energies in these poems track the potential transformations inhering in āflimsy beatitudes of order,ā (from the title poem) whose possibilities haunt and illuminate the entire book.ā āArmand Schwerner
Reviews
Ā
āThere is a classic largeness to these poems, whether of means or of referenceāa consummately civilzed response to our time that makes the intimate and the physical still primary despite the generalizing chaos Heller confronts so movingly.ā āRobert Creeley
āTone perfect poemsāthe tone, the scale, note by note, interval by intervalāattack on the āgods of ennui and loneliness.āā āGeorge Oppen
āMichael Hellerās poetry is the song of metaphysical narrative. In his work the speculative ambiguities of epistemology modulate productively with faceted concretions of felt life. The generous and powerful energies in these poems track the potential transformations inhering in āflimsy beatitudes of order,ā (from the title poem) whose possibilities haunt and illuminate the entire book.ā āArmand Schwerner
āMichael Heller brings an inspiring and lovely clarity to these poems whose practice ranges between the poles of rigorous philosophical articulation and sensuous physical image. But no matter their method, this work reveals a poet who is always grappling with artās ultimate problem: the ordering of the chaotic world to its latent human orders. A problem Heller often dramatically and movingly solves, at least for the moment, in the luminous spaces of these pages.ā āHugh Seidman











