
Portrait and Dream
PoetryĀ by Bill Berkson
April 1, 2009 ⢠7 x 10 ⢠352 pages ⢠978-1-56689-229-2
Titled after a Jackson Pollock painting at once figural and abstract, this collection spans nearly fifty years of Bill Berksonās poetry in all its deftness and variety. His poems, full of nuance, intensity, and exuberant wit, spread meaning across the page like quicksilver, creating a body of work suffused with light.
About the Author
Bill Berkson is a poet, critic and professor emeritus at the San Francisco Art Institute whose previous collection Portrait and Dream: New & Selected Poems won the Balcones Prize for Best Poetry Book of 2010 and who was honored by the San Francisco Bay Guardian with the 2008 GOLDIE Award in Literature. He has collaborated with many artists and writers, including Alex Katz, Philip Guston, and Frank OāHara and his criticism has appeared in ArtNews, Art in America, and elsewhere. Formerly a professor of liberal arts at the San Francisco Art Institute, he was born in New York in 1939, and now divides his time between San Francisco and Manhattan.
Reviews
Ā
āWonderful. . . . Fifty years of slow-dawning epiphany.ā āSan Francisco Bay Guardian
āThis is a generous selection of work by an important poet of the New York School. Known for his relationship to the art world, Bill Berkson writes a critically astute, witty (āno rest for liquidityā), and lyrically present poetry. The push of his work is upward (buoyancy and spirit) and outward into the real. . . . But the purely poetic, as seen in his wonderful translation of Heine (āSelfsame source of all loveās flowsā / Lily, dove, sun and roseā) is also present, with its binding force and knowing glance.ā āPaul Hoover
āIād like to thank Bill Berkson for: epitomizing objectivity & subjectivity; amusedly living in the cerulean blue, alizarin crimson mixed with titanium white, & burnt sienna world weāve got; & writing for us.ā āBernadette Mayer
āPortrait and Dream is a rich collection, spanning fifty years of work. The only way to do it justice is to read and re-read it. Itās a fine book.ā āGalatea Resurrects
āWhat remains engaging in all of Berksonās writing is how each poem and how every essay continues to be so distinctively and affectionately rendered.ā āJacket2
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Description
PoetryĀ by Bill Berkson
April 1, 2009 ⢠7 x 10 ⢠352 pages ⢠978-1-56689-229-2
Titled after a Jackson Pollock painting at once figural and abstract, this collection spans nearly fifty years of Bill Berksonās poetry in all its deftness and variety. His poems, full of nuance, intensity, and exuberant wit, spread meaning across the page like quicksilver, creating a body of work suffused with light.
About the Author
Bill Berkson is a poet, critic and professor emeritus at the San Francisco Art Institute whose previous collection Portrait and Dream: New & Selected Poems won the Balcones Prize for Best Poetry Book of 2010 and who was honored by the San Francisco Bay Guardian with the 2008 GOLDIE Award in Literature. He has collaborated with many artists and writers, including Alex Katz, Philip Guston, and Frank OāHara and his criticism has appeared in ArtNews, Art in America, and elsewhere. Formerly a professor of liberal arts at the San Francisco Art Institute, he was born in New York in 1939, and now divides his time between San Francisco and Manhattan.
Reviews
Ā
āWonderful. . . . Fifty years of slow-dawning epiphany.ā āSan Francisco Bay Guardian
āThis is a generous selection of work by an important poet of the New York School. Known for his relationship to the art world, Bill Berkson writes a critically astute, witty (āno rest for liquidityā), and lyrically present poetry. The push of his work is upward (buoyancy and spirit) and outward into the real. . . . But the purely poetic, as seen in his wonderful translation of Heine (āSelfsame source of all loveās flowsā / Lily, dove, sun and roseā) is also present, with its binding force and knowing glance.ā āPaul Hoover
āIād like to thank Bill Berkson for: epitomizing objectivity & subjectivity; amusedly living in the cerulean blue, alizarin crimson mixed with titanium white, & burnt sienna world weāve got; & writing for us.ā āBernadette Mayer
āPortrait and Dream is a rich collection, spanning fifty years of work. The only way to do it justice is to read and re-read it. Itās a fine book.ā āGalatea Resurrects
āWhat remains engaging in all of Berksonās writing is how each poem and how every essay continues to be so distinctively and affectionately rendered.ā āJacket2

