
The Gift
A novel by Barbara Browning
May 9, 2017 âą 5.5 x 8.25 âą 248 Pages âą 978-1-56689-468-5
A sometimes funny, sometimes catastrophically sad story of performance art, ukuleles, dance, and our attempts and failures to make contact.
In the midst of Occupy, Barbara Andersen begins spamming people indiscriminately with ukulele covers of sentimental songs. A series of inappropriate intimacies ensues, including an erotically charged correspondence and then collaboration with an extraordinarily gifted and troubled musician living in Germany.
About the Author
Barbara Browning teaches in the Department of Performance Studies at the NYU Tisch School of the Arts. She received her PhD in Comparative Literature from Yale University. She is the author of the novels The Correspondence Artist (winner of a Lambda Literary Award) and Iâm Trying to Reach You (short-listed for the Believer Book Award). She also makes dances, poems, and ukulele cover tunes.
Thanks to a 2013 ADA Access Improvement Grant administered by VSA Minnesota for the Metropolitan Regional Arts Council, this title is also formatted for screen readers which make text accessible to the blind and visually impaired. To purchase this title for use with a screen reader please email us at [email protected].
Reviews
Â
Winner of the Lambda Literary Award in Bisexual Fiction
Finalist for the 2018 Clark Fiction Prize
Unabridged Bookstore, âOur Favorite Books of 2017â
Kirkus Reviews, âBest Fiction of 2017â
Nylon, âHere are the Best Fiction Books of 2017â
âThe Gift is a smart, funny, heartbreaking and often sexy delight of a novel that presses hard against the boundaries of where literary and artistic performances begin and end.â âNew York Times Sunday Book Review
âItâs tempting to compare her to popular writers of âautofiction,â such as Chris Kraus, Sheila Heti, and Ben Lernerâall of whom she mentions in her workâbut Browning exaggerates the genre to particularly postmodern, batty, and charming extremes.â âNew Yorker
âThe narrator has an exceptionally graceful page presence: loony and profound, vulnerable and ingenuous, Barbara acts to unify the bookâs central concerns, giving its intellectual flights of fancy a palpable human pulse.â âPublishers Weekly, starred review
âBrowning takes a book that could easily exist in hypotheticals, layers, and masks and instead grounds it in the chaos of its time, including the disruptive politics of the Occupy movement, the infamous Pussy Riot protests and arrests in Russia, and the aftermath of Hurricane Sandy. The effect is indeed intimate but never inappropriate. Browning is working at the edges of her craft, and itâs utterly thrilling to watch. A delicious love letter to readers and co-conspirators everywhere.â âKirkus, starred review
â[The Gift] is a meandering, quasi-academic meditation on performance art that is somehow breezy and juicy enough to bring to the beach.â âThe New Yorker Culture Desk
âDespite, or perhaps because of, the borderline dystopian reality in which we now live, thereâs more of a reason than ever to explore what it means to create a truth, if not the truth. Browning does so beautifully in The Gift, to such a degree that there ceases to be a delineation between whatâs ârealâ and which characters are virtually identical, save for slight name changes. . . . But while the blurriness of what is and isnât real exists for the reader, there is never any doubt that Browning is in full control of her story.â âNylon
â[The Gift is] a smart and joyful autofictional game of a novel that suggests we shouldnât underestimate the level of sensuality and vulnerability in even our more transactional or semi-anonymous contacts.â âThe Millions
âThe Gift is an unusual novel about the performance of life and the life of performance that tells us empathy and passion are deeply political, and that fiction that flips a finger to the boundary between storytelling and the body is an expression of hope and a way toward a different future. In so many ways, Browningâs creation is a beautiful meditation on art, and a balm for readers in these difficult times.â âBookforum
âBrowningâs prose is open and unpretentious; I read her book deliberately, soaking up the fullness of each sentence.â âParis Review Daily
âBrowningâs sinuous, seductive exploration of âinappropriate intimaciesâ is one of the most exhilarating and provocative books Iâve read in ages.â âNylon
âWhere does Barbara Browning end and Barbara Andersen begin? What is the difference between fact and fiction? Those are some of the intriguing questions raised by this enigmatic and mysterious tale.â âBooklist
âThe Gift chronicles a womanâs journey through art and experience in the context of the Occupy movement, with observations about our modern attempts to form meaningful connection.â âThe Millions
âThrough this addictive, brainy and vibrant novel, which straddles nonfiction and fiction, Browning celebrates an unabashed passion for art and togetherness in a world muddled by assumed intimacy and inherent skepticism.â âStar Tribune
âBrowningâs writing is joyful, even radiant, at points; this work of autofiction is overflowing with sexuality, sensuality, intellectual and artistic curiosity, and wonder.â âNylon
âThe Gift is a book that allows us to live undefined and free at our wavering edges.â  âThe Collagist
âAs if to explain all those mysterious ukulele covers, Barbara takes us deeper than ever into her inappropriate intimacies, into the baseline feminist communism of gift economies, into the eros of collaboration, into the pain of wanting more than you want to want.â âThe Rumpus
âBarbaraâs inviting voice leads us through spirited digressions on performance, family, shame, and the history of gift-giving, each examined with remarkable aplomb and generosity.â âMilkweed Blog
âBarbara Browningâs novel The Gift is a brilliant work of autofiction.â âLargehearted Boy
âIn this disarming and hopeful novel, Barbara Browning explores the role of art in our lives and relationships with humor, warmth, and playful eroticism.â âThe Riveter
âThe Gift is about the connections we make with other human beings, whether in passing, in person, or via email (or even in our imagination). It feels rare to read an uplifting book . . but (the) Barbaraâs zest for life is extremely contagious. Anyway, read this book, I promise it is worth it.â âLenny
âMischievous, highly evolved, and tenderly executed, Barbara Browningâs The Gift lives up to its title.â âUnabridged Bookstore
âThrough music, art, dance, and the various means of communication at our disposal, Browning makes us ponder age-old questions. . . . Browningâs The Gift is sure to bring some enlightenment to your life.â âWarby Parker Blog
âBarbara Browningâs gift is delicacyâs embrace of edge, daringâs embrace of openness, danceâs embrace of song, in open tuning: a blues for intimacyâs constant rupture and repair, held out in simple and miraculous gesture. I mean to say that her sentences are carefully held out hands signing the theory and practice of generosity, speaking with such plain obscurity that what has been coveredâthe lonesome miracle of what it is to be togetherâis now visible.â âFred Moten
âBarbara Browningâs winning and expansive novel describes one womanâs intimacies with lovers, strangers, culture and ideas, and family and friends during several months in NY between 2012 and 2013. Browning brilliantly synthesizes her work as a scholar and an artist into a single identity, becoming at once a master monologist, storyteller, and historian of her amorphous tribe.â âChris Kraus
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Description
A novel by Barbara Browning
May 9, 2017 âą 5.5 x 8.25 âą 248 Pages âą 978-1-56689-468-5
A sometimes funny, sometimes catastrophically sad story of performance art, ukuleles, dance, and our attempts and failures to make contact.
In the midst of Occupy, Barbara Andersen begins spamming people indiscriminately with ukulele covers of sentimental songs. A series of inappropriate intimacies ensues, including an erotically charged correspondence and then collaboration with an extraordinarily gifted and troubled musician living in Germany.
About the Author
Barbara Browning teaches in the Department of Performance Studies at the NYU Tisch School of the Arts. She received her PhD in Comparative Literature from Yale University. She is the author of the novels The Correspondence Artist (winner of a Lambda Literary Award) and Iâm Trying to Reach You (short-listed for the Believer Book Award). She also makes dances, poems, and ukulele cover tunes.
Thanks to a 2013 ADA Access Improvement Grant administered by VSA Minnesota for the Metropolitan Regional Arts Council, this title is also formatted for screen readers which make text accessible to the blind and visually impaired. To purchase this title for use with a screen reader please email us at [email protected].
Reviews
Â
Winner of the Lambda Literary Award in Bisexual Fiction
Finalist for the 2018 Clark Fiction Prize
Unabridged Bookstore, âOur Favorite Books of 2017â
Kirkus Reviews, âBest Fiction of 2017â
Nylon, âHere are the Best Fiction Books of 2017â
âThe Gift is a smart, funny, heartbreaking and often sexy delight of a novel that presses hard against the boundaries of where literary and artistic performances begin and end.â âNew York Times Sunday Book Review
âItâs tempting to compare her to popular writers of âautofiction,â such as Chris Kraus, Sheila Heti, and Ben Lernerâall of whom she mentions in her workâbut Browning exaggerates the genre to particularly postmodern, batty, and charming extremes.â âNew Yorker
âThe narrator has an exceptionally graceful page presence: loony and profound, vulnerable and ingenuous, Barbara acts to unify the bookâs central concerns, giving its intellectual flights of fancy a palpable human pulse.â âPublishers Weekly, starred review
âBrowning takes a book that could easily exist in hypotheticals, layers, and masks and instead grounds it in the chaos of its time, including the disruptive politics of the Occupy movement, the infamous Pussy Riot protests and arrests in Russia, and the aftermath of Hurricane Sandy. The effect is indeed intimate but never inappropriate. Browning is working at the edges of her craft, and itâs utterly thrilling to watch. A delicious love letter to readers and co-conspirators everywhere.â âKirkus, starred review
â[The Gift] is a meandering, quasi-academic meditation on performance art that is somehow breezy and juicy enough to bring to the beach.â âThe New Yorker Culture Desk
âDespite, or perhaps because of, the borderline dystopian reality in which we now live, thereâs more of a reason than ever to explore what it means to create a truth, if not the truth. Browning does so beautifully in The Gift, to such a degree that there ceases to be a delineation between whatâs ârealâ and which characters are virtually identical, save for slight name changes. . . . But while the blurriness of what is and isnât real exists for the reader, there is never any doubt that Browning is in full control of her story.â âNylon
â[The Gift is] a smart and joyful autofictional game of a novel that suggests we shouldnât underestimate the level of sensuality and vulnerability in even our more transactional or semi-anonymous contacts.â âThe Millions
âThe Gift is an unusual novel about the performance of life and the life of performance that tells us empathy and passion are deeply political, and that fiction that flips a finger to the boundary between storytelling and the body is an expression of hope and a way toward a different future. In so many ways, Browningâs creation is a beautiful meditation on art, and a balm for readers in these difficult times.â âBookforum
âBrowningâs prose is open and unpretentious; I read her book deliberately, soaking up the fullness of each sentence.â âParis Review Daily
âBrowningâs sinuous, seductive exploration of âinappropriate intimaciesâ is one of the most exhilarating and provocative books Iâve read in ages.â âNylon
âWhere does Barbara Browning end and Barbara Andersen begin? What is the difference between fact and fiction? Those are some of the intriguing questions raised by this enigmatic and mysterious tale.â âBooklist
âThe Gift chronicles a womanâs journey through art and experience in the context of the Occupy movement, with observations about our modern attempts to form meaningful connection.â âThe Millions
âThrough this addictive, brainy and vibrant novel, which straddles nonfiction and fiction, Browning celebrates an unabashed passion for art and togetherness in a world muddled by assumed intimacy and inherent skepticism.â âStar Tribune
âBrowningâs writing is joyful, even radiant, at points; this work of autofiction is overflowing with sexuality, sensuality, intellectual and artistic curiosity, and wonder.â âNylon
âThe Gift is a book that allows us to live undefined and free at our wavering edges.â  âThe Collagist
âAs if to explain all those mysterious ukulele covers, Barbara takes us deeper than ever into her inappropriate intimacies, into the baseline feminist communism of gift economies, into the eros of collaboration, into the pain of wanting more than you want to want.â âThe Rumpus
âBarbaraâs inviting voice leads us through spirited digressions on performance, family, shame, and the history of gift-giving, each examined with remarkable aplomb and generosity.â âMilkweed Blog
âBarbara Browningâs novel The Gift is a brilliant work of autofiction.â âLargehearted Boy
âIn this disarming and hopeful novel, Barbara Browning explores the role of art in our lives and relationships with humor, warmth, and playful eroticism.â âThe Riveter
âThe Gift is about the connections we make with other human beings, whether in passing, in person, or via email (or even in our imagination). It feels rare to read an uplifting book . . but (the) Barbaraâs zest for life is extremely contagious. Anyway, read this book, I promise it is worth it.â âLenny
âMischievous, highly evolved, and tenderly executed, Barbara Browningâs The Gift lives up to its title.â âUnabridged Bookstore
âThrough music, art, dance, and the various means of communication at our disposal, Browning makes us ponder age-old questions. . . . Browningâs The Gift is sure to bring some enlightenment to your life.â âWarby Parker Blog
âBarbara Browningâs gift is delicacyâs embrace of edge, daringâs embrace of openness, danceâs embrace of song, in open tuning: a blues for intimacyâs constant rupture and repair, held out in simple and miraculous gesture. I mean to say that her sentences are carefully held out hands signing the theory and practice of generosity, speaking with such plain obscurity that what has been coveredâthe lonesome miracle of what it is to be togetherâis now visible.â âFred Moten
âBarbara Browningâs winning and expansive novel describes one womanâs intimacies with lovers, strangers, culture and ideas, and family and friends during several months in NY between 2012 and 2013. Browning brilliantly synthesizes her work as a scholar and an artist into a single identity, becoming at once a master monologist, storyteller, and historian of her amorphous tribe.â âChris Kraus











