Oprah Daily, âBooks We Canât Wait to Read in 2023â
TODAY, âBooks We Canât Wait to Read in 2023â
Ms. Magazine, âMost Anticipated Books of 2023â
âGalangâs masterly latest takes on xenophobia, racism, and other ills via stories of strong Filipino women. . . . What makes these stories so powerful and poignant are the inner lives of the characters, a complex blend of nostalgia, desire for assimilation, and defiance. This is a winner.â âPublishers Weekly, starred review
\nâGalangâs stories are of the Filipino American diaspora and generations of women who experience freedoms, grief, and community in a new land.\" âOprah Daily
\nâCentering the lives of Filipino American women in seventeen stories, Galang explores the complexities of ancestry, identity, and community, resulting in a collection that honors the deep connections that exist between descendants and ancestors.â âLupita Aquino, TODAY
âGalangâs short stories brim with family membersâlolas and lolos, ates and kuyas, people whose care can be suffocating or revelatory as each generation confronts what Filipino American identity means to them. . . . A portrait of how complicated it is to face the history you inherit.â âKirkus
âPsychic strength was clearly required to write these stories revolving around generations of Filipino women in the U.S. and the Philippines, and the roles they play: daughters, sisters, mothers, aunties, cousins, lolas, and friends. . . . Galang further reminds, when the gumamelaâthe hibiscusâflower falls because it only lasts one day, a new flower replaces the old one.â âEileen Tabios, Halo-Halo Review
âThis radiant, fearless collection has it all: laughter and heartache, family drama, and history sung in the voices too often missing from the official record. M. Evelina Galang dances from ancestral myth to imaginary futures with a sure-footed grace, and her luminous charactersâwhether in Manila or Miami, the Midwest or beyondâurge us all to rediscover where we come from and what matters in the end.â âMia Alvar
âThe descriptions in M. Evelina Galangâs When the Hibiscus Falls never fail. Whether rendering the slightest touch between hands or the raw energy of a hurricane, Galangâs language is in high form. I do not speak Tagalog, but the rhythm of the language is so present here that I believe now and again while reading that I do. These are wonderful stories of families and place and politics.â âPercival Everett
âLong esteemed as a writersâ writer, Evelina Galang recognizes the unity between this world and the next, grounding her vision in the intimate language of Filipino family and community. Her radical social and aesthetic commitments are reflected in the authority of her charactersâ perspectives, centering a blended reality: here/there, home/history, dreams of connection and of liberation.â âSarah Schulman
âM. Evelina Galangâs stories are pioneering, lyrical, and full of life. She is interested in the diaphanous curtains among past, present, and future, and narrates with great vocal daring. This is a wonderful and important collection.â âLorrie Moore
âA collection of rare and fierce beauty examining generational and contemporary diasporic life. The characters embody history, myth, and homelandâlost and imaginedâand will break your heart.â âMarie Myung-Ok Lee
âBeautiful and often heartbreaking, the stories [in When the Hibiscus Falls] take us on the gentle and rhythmic wind of Galangâs language into villages and cities in the Philippines, into forests and urban spaces, into cities like Chicago and Miami, and suburban communities we only think we know. We pass through different times, the eighties, the nineties, the COVID-19 quarantine, and we swirl in and out of realities and the lives of people we come to care about. The stories have enough magic to bring us to the feet of ancient winds and deities and into imaginary realms. They are a reflection not only of who we are and have been, but who we can become. A stunning collection.â âDaniel ChacĂłn
âM. Evelina Galangâs When the Hibiscus Falls had me marveling at the stories of American-born Filipina/o/xs and their heartfelt attempts and adventures to remain in touch with homeland cultures rooted in the more than seven thousand islands of the Philippines. Those roots have grown, mycelium-like, and have traveled across oceans and borders to touch the bodies, hearts, and souls of these characters. The stories remind me of the adamantine characteristics of Kapwa and other Filipino indigenous values and practices. Kapwaâthis Filipino value of âthe self is in the otherââin these stories assures me that we can always depend on the strength and solidity of the ground and roots that gave birth to the Filipina sense of Being.â âLeny Mendoza Strobel
âIn the stories of When the Hibiscus Falls, time, place, and characters haunt each other. Filipinos immigrate to America but in a way never leave the Philippines or their family; comfort women and World War II, colonization and indigenous culture, political unrest and the recent pandemic, seemingly so distinct and distant, can instantly merge in a moment of recognition; and the characters, both Filipino and Filipino American, suddenly face connections and families they cannot abandon, as much as they wish. M. Evelina Galang creates here a community, a world, and a world literature. Read and be amazed.â âDavid Mura
âEvelina Galangâs stories take us on poignant diasporic journeys, not just in and out of different countries, but through generations . . . because leaving home and coming home happen over and over, for good and bad, long after the plane has landed or the boat has docked. One journey can ripple through family for eternity. These stories are brave and real and full of heart.â âAchy Obejas

When the Hibiscus Falls
Â
Stories by M. Evelina Galang
June 13, 2023 ⹠5.5 x 8.25 âąÂ 256 pages âąÂ 978-1-56689-679-5
Seventeen stories traverse borderlines, mythic and real, in the lives of Filipino and Filipino American women and their ancestors.
Moving from small Philippine villages of the past to the hurricane-beaten coast of near-future Florida, When the Hibiscus Falls examines the triumphs and sorrows that connect generations of women. Daughters, sisters, mothers, aunties, cousins, and lolas commune with their ancestors and their descendants, mourning what is lost when an older generation dies, celebrating what is gained when we safeguard their legacy for those who come after us. Featuring figures familiar from M. Evelina Galangâs other acclaimed and richly imagined novels and stories, When the Hibiscus Falls dwells within the complexity of family, community, and Filipino American identity. Each story is an offering, a bloom that unfurls its petals and holds space in the sun. Â
About the Author
M. Evelina Galang is the daughter of Filipino American immigrants who first came to the United States in the mid-1950s. Born in Harrisburg, Pennsylvania, she is the eldest of six. By the time she was twelve, she had moved to seven cities before her family settled in Milwaukee, Wisconsin. The author of two novels, two story collections, and a work of nonfiction, and the editor of Screaming Monkeys: Critiques of Asian American Images, she draws from the stories she grew up on and the research from a Fulbright Senior Scholar Award as well as numerous grants and fellowships from the University of Miami. Galang has been recognized as a Dayton Literary Peace Prize finalist, a Zalaznick Distinguished Visiting Writer at Cornell University, and an awardee of the Gustavus Myers Outstanding Book Award. The American Library Association named Galangâs Angel de la Luna and the 5th Glorious Mystery among recommended feminist literature for ages zero to eighteen. She lives in Miami, where she teaches creative writing.
Praise for When the Hibiscus Falls
Oprah Daily, âBooks We Canât Wait to Read in 2023â
TODAY, âBooks We Canât Wait to Read in 2023â
Ms. Magazine, âMost Anticipated Books of 2023â
âGalangâs masterly latest takes on xenophobia, racism, and other ills via stories of strong Filipino women. . . . What makes these stories so powerful and poignant are the inner lives of the characters, a complex blend of nostalgia, desire for assimilation, and defiance. This is a winner.â âPublishers Weekly, starred review
âGalangâs stories are of the Filipino American diaspora and generations of women who experience freedoms, grief, and community in a new land." âOprah Daily
âCentering the lives of Filipino American women in seventeen stories, Galang explores the complexities of ancestry, identity, and community, resulting in a collection that honors the deep connections that exist between descendants and ancestors.â âLupita Aquino, TODAY
âGalangâs short stories brim with family membersâlolas and lolos, ates and kuyas, people whose care can be suffocating or revelatory as each generation confronts what Filipino American identity means to them. . . . A portrait of how complicated it is to face the history you inherit.â âKirkus
âPsychic strength was clearly required to write these stories revolving around generations of Filipino women in the U.S. and the Philippines, and the roles they play: daughters, sisters, mothers, aunties, cousins, lolas, and friends. . . . Galang further reminds, when the gumamelaâthe hibiscusâflower falls because it only lasts one day, a new flower replaces the old one.â âEileen Tabios, Halo-Halo Review
âThis radiant, fearless collection has it all: laughter and heartache, family drama, and history sung in the voices too often missing from the official record. M. Evelina Galang dances from ancestral myth to imaginary futures with a sure-footed grace, and her luminous charactersâwhether in Manila or Miami, the Midwest or beyondâurge us all to rediscover where we come from and what matters in the end.â âMia Alvar
âThe descriptions in M. Evelina Galangâs When the Hibiscus Falls never fail. Whether rendering the slightest touch between hands or the raw energy of a hurricane, Galangâs language is in high form. I do not speak Tagalog, but the rhythm of the language is so present here that I believe now and again while reading that I do. These are wonderful stories of families and place and politics.â âPercival Everett
âLong esteemed as a writersâ writer, Evelina Galang recognizes the unity between this world and the next, grounding her vision in the intimate language of Filipino family and community. Her radical social and aesthetic commitments are reflected in the authority of her charactersâ perspectives, centering a blended reality: here/there, home/history, dreams of connection and of liberation.â âSarah Schulman
âM. Evelina Galangâs stories are pioneering, lyrical, and full of life. She is interested in the diaphanous curtains among past, present, and future, and narrates with great vocal daring. This is a wonderful and important collection.â âLorrie Moore
âA collection of rare and fierce beauty examining generational and contemporary diasporic life. The characters embody history, myth, and homelandâlost and imaginedâand will break your heart.â âMarie Myung-Ok Lee
âBeautiful and often heartbreaking, the stories [in When the Hibiscus Falls] take us on the gentle and rhythmic wind of Galangâs language into villages and cities in the Philippines, into forests and urban spaces, into cities like Chicago and Miami, and suburban communities we only think we know. We pass through different times, the eighties, the nineties, the COVID-19 quarantine, and we swirl in and out of realities and the lives of people we come to care about. The stories have enough magic to bring us to the feet of ancient winds and deities and into imaginary realms. They are a reflection not only of who we are and have been, but who we can become. A stunning collection.â âDaniel ChacĂłn
âM. Evelina Galangâs When the Hibiscus Falls had me marveling at the stories of American-born Filipina/o/xs and their heartfelt attempts and adventures to remain in touch with homeland cultures rooted in the more than seven thousand islands of the Philippines. Those roots have grown, mycelium-like, and have traveled across oceans and borders to touch the bodies, hearts, and souls of these characters. The stories remind me of the adamantine characteristics of Kapwa and other Filipino indigenous values and practices. Kapwaâthis Filipino value of âthe self is in the otherââin these stories assures me that we can always depend on the strength and solidity of the ground and roots that gave birth to the Filipina sense of Being.â âLeny Mendoza Strobel
âIn the stories of When the Hibiscus Falls, time, place, and characters haunt each other. Filipinos immigrate to America but in a way never leave the Philippines or their family; comfort women and World War II, colonization and indigenous culture, political unrest and the recent pandemic, seemingly so distinct and distant, can instantly merge in a moment of recognition; and the characters, both Filipino and Filipino American, suddenly face connections and families they cannot abandon, as much as they wish. M. Evelina Galang creates here a community, a world, and a world literature. Read and be amazed.â âDavid Mura
âEvelina Galangâs stories take us on poignant diasporic journeys, not just in and out of different countries, but through generations . . . because leaving home and coming home happen over and over, for good and bad, long after the plane has landed or the boat has docked. One journey can ripple through family for eternity. These stories are brave and real and full of heart.â âAchy Obejas
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Description
Â
Stories by M. Evelina Galang
June 13, 2023 ⹠5.5 x 8.25 âąÂ 256 pages âąÂ 978-1-56689-679-5
Seventeen stories traverse borderlines, mythic and real, in the lives of Filipino and Filipino American women and their ancestors.
Moving from small Philippine villages of the past to the hurricane-beaten coast of near-future Florida, When the Hibiscus Falls examines the triumphs and sorrows that connect generations of women. Daughters, sisters, mothers, aunties, cousins, and lolas commune with their ancestors and their descendants, mourning what is lost when an older generation dies, celebrating what is gained when we safeguard their legacy for those who come after us. Featuring figures familiar from M. Evelina Galangâs other acclaimed and richly imagined novels and stories, When the Hibiscus Falls dwells within the complexity of family, community, and Filipino American identity. Each story is an offering, a bloom that unfurls its petals and holds space in the sun. Â
About the Author
M. Evelina Galang is the daughter of Filipino American immigrants who first came to the United States in the mid-1950s. Born in Harrisburg, Pennsylvania, she is the eldest of six. By the time she was twelve, she had moved to seven cities before her family settled in Milwaukee, Wisconsin. The author of two novels, two story collections, and a work of nonfiction, and the editor of Screaming Monkeys: Critiques of Asian American Images, she draws from the stories she grew up on and the research from a Fulbright Senior Scholar Award as well as numerous grants and fellowships from the University of Miami. Galang has been recognized as a Dayton Literary Peace Prize finalist, a Zalaznick Distinguished Visiting Writer at Cornell University, and an awardee of the Gustavus Myers Outstanding Book Award. The American Library Association named Galangâs Angel de la Luna and the 5th Glorious Mystery among recommended feminist literature for ages zero to eighteen. She lives in Miami, where she teaches creative writing.
Praise for When the Hibiscus Falls
Oprah Daily, âBooks We Canât Wait to Read in 2023â
TODAY, âBooks We Canât Wait to Read in 2023â
Ms. Magazine, âMost Anticipated Books of 2023â
âGalangâs masterly latest takes on xenophobia, racism, and other ills via stories of strong Filipino women. . . . What makes these stories so powerful and poignant are the inner lives of the characters, a complex blend of nostalgia, desire for assimilation, and defiance. This is a winner.â âPublishers Weekly, starred review
âGalangâs stories are of the Filipino American diaspora and generations of women who experience freedoms, grief, and community in a new land." âOprah Daily
âCentering the lives of Filipino American women in seventeen stories, Galang explores the complexities of ancestry, identity, and community, resulting in a collection that honors the deep connections that exist between descendants and ancestors.â âLupita Aquino, TODAY
âGalangâs short stories brim with family membersâlolas and lolos, ates and kuyas, people whose care can be suffocating or revelatory as each generation confronts what Filipino American identity means to them. . . . A portrait of how complicated it is to face the history you inherit.â âKirkus
âPsychic strength was clearly required to write these stories revolving around generations of Filipino women in the U.S. and the Philippines, and the roles they play: daughters, sisters, mothers, aunties, cousins, lolas, and friends. . . . Galang further reminds, when the gumamelaâthe hibiscusâflower falls because it only lasts one day, a new flower replaces the old one.â âEileen Tabios, Halo-Halo Review
âThis radiant, fearless collection has it all: laughter and heartache, family drama, and history sung in the voices too often missing from the official record. M. Evelina Galang dances from ancestral myth to imaginary futures with a sure-footed grace, and her luminous charactersâwhether in Manila or Miami, the Midwest or beyondâurge us all to rediscover where we come from and what matters in the end.â âMia Alvar
âThe descriptions in M. Evelina Galangâs When the Hibiscus Falls never fail. Whether rendering the slightest touch between hands or the raw energy of a hurricane, Galangâs language is in high form. I do not speak Tagalog, but the rhythm of the language is so present here that I believe now and again while reading that I do. These are wonderful stories of families and place and politics.â âPercival Everett
âLong esteemed as a writersâ writer, Evelina Galang recognizes the unity between this world and the next, grounding her vision in the intimate language of Filipino family and community. Her radical social and aesthetic commitments are reflected in the authority of her charactersâ perspectives, centering a blended reality: here/there, home/history, dreams of connection and of liberation.â âSarah Schulman
âM. Evelina Galangâs stories are pioneering, lyrical, and full of life. She is interested in the diaphanous curtains among past, present, and future, and narrates with great vocal daring. This is a wonderful and important collection.â âLorrie Moore
âA collection of rare and fierce beauty examining generational and contemporary diasporic life. The characters embody history, myth, and homelandâlost and imaginedâand will break your heart.â âMarie Myung-Ok Lee
âBeautiful and often heartbreaking, the stories [in When the Hibiscus Falls] take us on the gentle and rhythmic wind of Galangâs language into villages and cities in the Philippines, into forests and urban spaces, into cities like Chicago and Miami, and suburban communities we only think we know. We pass through different times, the eighties, the nineties, the COVID-19 quarantine, and we swirl in and out of realities and the lives of people we come to care about. The stories have enough magic to bring us to the feet of ancient winds and deities and into imaginary realms. They are a reflection not only of who we are and have been, but who we can become. A stunning collection.â âDaniel ChacĂłn
âM. Evelina Galangâs When the Hibiscus Falls had me marveling at the stories of American-born Filipina/o/xs and their heartfelt attempts and adventures to remain in touch with homeland cultures rooted in the more than seven thousand islands of the Philippines. Those roots have grown, mycelium-like, and have traveled across oceans and borders to touch the bodies, hearts, and souls of these characters. The stories remind me of the adamantine characteristics of Kapwa and other Filipino indigenous values and practices. Kapwaâthis Filipino value of âthe self is in the otherââin these stories assures me that we can always depend on the strength and solidity of the ground and roots that gave birth to the Filipina sense of Being.â âLeny Mendoza Strobel
âIn the stories of When the Hibiscus Falls, time, place, and characters haunt each other. Filipinos immigrate to America but in a way never leave the Philippines or their family; comfort women and World War II, colonization and indigenous culture, political unrest and the recent pandemic, seemingly so distinct and distant, can instantly merge in a moment of recognition; and the characters, both Filipino and Filipino American, suddenly face connections and families they cannot abandon, as much as they wish. M. Evelina Galang creates here a community, a world, and a world literature. Read and be amazed.â âDavid Mura
âEvelina Galangâs stories take us on poignant diasporic journeys, not just in and out of different countries, but through generations . . . because leaving home and coming home happen over and over, for good and bad, long after the plane has landed or the boat has docked. One journey can ripple through family for eternity. These stories are brave and real and full of heart.â âAchy Obejas











